musicbriefs
9:23in productionCh. 1 · Mid-January in Hollywood/ 9:23 · ceiling 15 min
Soundtracks

King Creole

'Hard Headed Woman' ruled the charts — but the record tells you nothing about how it sounded.

The source material establishes only the commercial reception and basic provenance of the 'King Creole' soundtrack — not its sound, craft, or meaning.

Chapters & takeaways4
  1. 1:22
    Mid-January in Hollywood

    Recorded in Hollywood in mid-January 1958 — the last time Presley and Leiber and Stoller worked closely together.

  2. 3:00
    Three Songs, No Names

    Leiber and Stoller wrote three songs — no titles confirmed, no musical details given.

  3. 5:01
    Draft Deferment, Not Design

    Presley got a military deferment to finish filming — the record exists because of that delay.

  4. 6:12
    Chart Certainty, Sonic Silence

    One song dominated charts; the album peaked at number two — all we know for certain about its impact.

Running order11
  1. 01
    King Creole2:07

    Heard in Rock Around the Clock (1956)King Creole (1958)Kid Galahad (1962)Fun in Acapulco (1963)

  2. 02
    As Long as I Have You1:50

    Heard in Top Speed (1930)A Guy Named Joe (1943)Magic in the Moonlight (2014)

  3. 03
    Hard Headed Woman1:54

    Heard in King Creole (1958)Elvis Has Left the Building (2004)

  4. 04
    Trouble2:18

    Heard in West Side Story (1961)Lilo & Stitch (2002)The Batman (2022)Elvis (2022)

  5. 05
    Dixieland Rock1:48
  6. 06
    Don’t Ask Me Why2:07
  7. 07
    Lover Doll2:12

    Heard in King Creole (1958)

  8. 08
    Crawfish1:51

    Heard in Highway of Heartache (1994)

  9. 09
    Young Dreams2:23
  10. 10
    Steadfast, Loyal and True1:18
  11. 11
    New Orleans2:00

    Heard in King Creole (1958)Wild at Heart (1990)Boomerang (1992)Elvis & Nixon (2016)

Film placements are the ones described in each film's own entry, so the list is partial rather than complete.

Worth your time?

Yes. Hear the whole thing.

2.5/ 5
What works
  • as a factual anchor for chart data
  • as evidence of Leiber and Stoller’s final collaboration with Presley
  • as proof of Presley’s military deferment timeline
What does not
  • describe instrumentation
  • name performers
  • identify studio techniques
  • characterise vocal style
Hear it if
  • chart historians
  • film scholars
Skip it if
  • listeners seeking sonic insight
  • musicians studying arrangement
The written brief1 min read

What the record is and where it came from

The record is the official soundtrack to the 1958 film ‘King Creole’. It was recorded in Hollywood in mid-January 1958. Leiber and Stoller contributed three songs. Elvis Presley received a military draft deferment to finish the film.

How it sounds, and how it was made

The record sounds like a Hollywood studio session in mid-January 1958. No details about instruments, arrangements, room acoustics, or production choices are given in the source material. Nothing is stated about vocal delivery, tempo, texture, or sonic character.

What lands

What lands is commercial reception: ‘Hard Headed Woman’ hit number one on the Billboard singles chart, number two on the R&B chart, and was certified gold by the RIAA. The soundtrack album peaked at number two on the Billboard album chart.

What does not

It does not establish how the music was made, who played on it, what it sounds like, or what it means. It does not name any songwriters beyond Leiber and Stoller’s contribution of three songs, nor confirm which songs they wrote. It does not link film scenes to specific tracks beyond narrative mentions.

The ideas inside it

The ideas inside it are not described in the source material. No thematic, lyrical, or conceptual content is verified by the documents.

Who should hear it, and who should not

Film historians tracking chart performance should hear it. Music listeners seeking insight into sound, arrangement, or performance should not — the source material provides no such information.

Is it worth your time

It is worth your time only if you need verified chart milestones for ‘Hard Headed Woman’ and the ‘King Creole’ soundtrack album — nothing more.

Same genre · Soundtracks4 of 16
9:08
Ascenseur pour l’échafaudMiles Davis · 1958Ascenseur pour l’échafaud is the 1958 soundtrack album for Louis Malle’s Elevator to the Gallows, recorded in Paris in November 1957 by Miles Davis and a quartet of French and American musicians during a single improvised session.
11:43
Loving YouElvis Presley · 1957The 'Loving You' soundtrack is Elvis Presley’s first film album, recorded in early 1957 across two studios — Paramount Pictures Scoring Stage and Radio Recorders in Hollywood — with Steve Sholes as first officially credited producer. It contains seven songs written expressly for the film under Presley’s and Parker’s publishing companies, plus five added to meet LP runtime: 'Don’t Leave Me Now' (written for but excluded from the film), '(Let Me Be Your) Teddy Bear' (insisted upon by producer Hal B. Wallis), 'Blueberry Hill' (a 1956 Fats Domino hit), 'True Love' (a Cole Porter song from High Society), and 'I Need You So'. Released in July 1957, it was Presley’s third consecutive number-one album. It inaugurated RCA’s practice of padding Presley soundtracks with non-soundtrack recordings — a pattern that defined his film-era output.
9:50
Portrait in JazzBill Evans Trio · 1960Portrait in Jazz is the first studio album by the Bill Evans Trio with Scott LaFaro and Paul Motian, recorded in December 1959 for Riverside Records. It contains seven jazz standards and two Evans originals — 'Peri's Scope' and a trio version of 'Blue in Green', co-credited to Miles Davis and Bill Evans. It is the first of only two studio albums recorded by this trio. LaFaro’s bass is given nearly equal status to the piano, though less so than on later albums. Motian avoids standard bop formulas and reacts directly to what he hears from Evans and LaFaro. The album reflects a collaborative ethos grounded in mutual listening and suppressed ego.
9:24
The Music From Peter GunnHenry Mancini · 1959The Music From Peter Gunn is a television soundtrack album composed by Henry Mancini for the series Peter Gunn, produced by Blake Edwards in 1958. It won the inaugural Grammy Award for Album of the Year in 1958. Mancini pioneered the integration of jazz elements into late-romantic orchestral television scoring.
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