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Punk & post-punk · Pop

Another Music in a Different Kitchen

Punk’s first great post-punk record — all nervous energy, no fat, and one track missing from the first pressings.

Worth your time?4.5/5Yes.Hear the whole thing.What works, what does not, who it is for ↓
9:14in productionCh. 1 · The Line-Up That Stuck/ 9:14 · ceiling 15 min
4 chapters · 9:14Ceiling 15:00

The brief is written and checked. The video joins this page when it is cut.4 chapters · 1 min read · 9:14 planned

Read the brief

Another Music in a Different Kitchen is Buzzcocks’ 1978 debut studio album, recorded by their classic line-up — Pete Shelley, Steve Diggle, Steve Garvey, John Maher — after Howard Devoto’s departure. Martin Rushent produced it; Doug Bennet engineered it. Malcolm Garrett designed the sleeve. Its title came from a Linder Sterling collage. Some early pressings omitted 'I Need' due to a pressing plant error. It reached number 15 in the UK chart.

Chapters & takeaways4
  1. 1:13
    The Line-Up That Stuck

    This is the debut of Buzzcocks’ classic line-up — Shelley, Diggle, Garvey, Maher — forged after Devoto left and Smith was fired.

  2. 2:42
    A Crash, A Credit, A Correction

    Steve Diggle wrote 90% of 'Fast Cars' about his own car crash — but the first pressing credited Shelley/Devoto.

  3. 4:24
    Produced, Engineered, Mislaid

    Martin Rushent produced it. Doug Bennet engineered it. 'I Need' was moved to side two — then accidentally left off early pressings.

  4. 5:35
    Silver Bag, Silver Chart Position

    Malcolm Garrett designed the sleeve. The album reached number 15 in the UK chart.

1 more chapterFewer chapters
Running order11
  1. 01
    Fast Cars2:27
  2. 02
    No Reply2:16

    Heard in The Expendables 3 (2014)

  3. 03
    You Tear Me Up2:27
  4. 04
    Get on Our Own2:27
  5. 05
    Love Battery2:09
  6. 06
    Sixteen3:38
  7. 07
    I Don’t Mind2:18

    Heard in The American Epic Sessions (1925)Gabbar Singh (2012)

  8. 08
    Fiction Romance4:28
  9. 09
    Autonomy3:43
  10. 10
    I Need2:43

    Heard in Cars (2006)The Avengers (2012)

  11. 11
    Moving Away From the Pulsebeat7:02

Film placements are the ones described in each film's own entry, so the list is partial rather than complete.

Worth your time?

Yes. Hear the whole thing.

4.5/ 5
What works
  • Fast Cars
  • No Reply
  • Sixteen
  • Autonomy
What does not
  • Moving Away From the Pulsebeat
Hear it if
  • people who want to hear how punk tightened into post-punk
Skip it if
  • people expecting lyrical abstraction or studio experimentation
Who should hear it, and who should skipHide who it is for
The written brief1 min read

What the record is and where it came from

Another Music in a Different Kitchen is Buzzcocks’ debut studio album, released in March 1978 by United Artists. It features their third line-up — Shelley, Diggle, Garvey, Maher — and was their first record after Howard Devoto’s departure.

How it sounds, and how it was made

Martin Rushent produced it. Doug Bennet engineered it. The band recorded it with Pete Shelley on lead vocals and guitar, Steve Diggle on rhythm guitar and backing vocals, Steve Garvey on bass, and John Maher on drums. The sleeve design was by Malcolm Garrett. The album was pressed with a mix-up that omitted ‘I Need’ from some early copies.

What lands

Fast Cars lands with its clipped guitar riff and Diggle’s personal crash narrative. ‘No Reply’ lands with its taut, two-minute punch. ‘Sixteen’ lands with its blunt, unvarnished lyricism and driving tempo. ‘Autonomy’ lands with its controlled tension and rhythmic insistence.

What does not

It does not sustain its energy across all eleven tracks. ‘Moving Away From the Pulsebeat’ runs seven minutes but lacks development beyond its initial motif. The pressing plant error that dropped ‘I Need’ from early copies exposed a sequencing vulnerability.

The ideas inside it

It moves away from social commentary to adolescent themes. It reflects Pete Shelley’s shift after Howard Devoto’s departure. The title came from a Linder Sterling collage.

Who should hear it, and who should not

People who want to hear how punk tightened into post-punk should hear it. People expecting lyrical abstraction or studio experimentation should not.

Is it worth your time

Yes. It reached number 15 in the UK chart. It is Buzzcocks’ debut studio album. It established their classic line-up and defined post-punk’s tight, urgent sound.

Same genre · Punk & post-punk4 of 91
10:53
Singles Going SteadyBuzzcocks · 1979Singles Going Steady is a chronologically ordered compilation of Buzzcocks’ UK singles and B-sides from 1977–1979. Released in the US in 1979 by I.R.S. Records before the band’s first US tour, it features Pete Shelley (vocals, guitar), Steve Diggle (guitar, backing vocals, lead on 'Harmony in My Head'), Steve Garvey (bass on all but two tracks), Garth Smith (bass on 'Orgasm Addict' and 'What Ever Happened To?'), and John Maher (drums, unlisted but confirmed by standard band line-up). Critics describe it as a 'punk masterpiece' built on emotional honesty, melodic sophistication, and pop-punk energy — but the source gives no detail on how it was recorded, mixed, or produced. Its value lies in its structure, personnel, and reputation — not its sound design.
9:18
The UndertonesThe Undertones · 1979The Undertones’ 1979 debut was recorded live-rhythm-first at Eden Studios in West London in under four weeks, with drums and bass captured together, guitars re-recorded, and no rearrangement needed. Its songs were forged at Derry’s Casbah since 1977, some written only in late 1978. Lyrics focus exclusively on youthful relationships and adolescence. It avoids political themes, expanded instrumentation, and studio embellishment. Released in May 1979, it is a tightly wound, unadorned document of a band playing exactly as they sounded on stage — fast, direct, and uninterested in anything beyond the next chord.
8:56
RamonesRamones · 1976Ramones is the band’s debut album, recorded in January 1976 at Plaza Sound studio. Fourteen songs. All under two and a half minutes. Produced by Craig Leon with Tommy Ramone as associate producer. Budget: $6,400. Front cover photograph by Roberta Bayley.
11:27
New Day RisingHüsker Dü · 1985New Day Rising is a tightly wound coil of pop structure and punk force — recorded fast, played hard, produced raw. It rejects both nostalgia and polish. Its ideas land in the friction between melody and attack, not in resolution.
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