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Afrobeat & Latin

Made in Lagos

Afrobeats meets R&B — not as fusion gimmick, but as shared tempo, shared pulse, shared patience.

Worth your time?4.5/5Yes.Hear the whole thing.What works, what does not, who it is for ↓
11:42in productionCh. 1 · The Core Is Percussion/ 11:42 · ceiling 15 min
4 chapters · 11:42Ceiling 15:00

The brief is written and checked. The video joins this page when it is cut.4 chapters · 1 min read · 11:42 planned

Read the brief

Made in Lagos is Wizkid’s fourth studio album, released 30 October 2020 after postponement from 15 October due to the End SARS protests. It fuses Afrobeats and R&B with mid-tempo production, rich local African percussions as its core, casually Auto-Tuned melodies, and meticulously complex beats. Themes include love, focus, goodwill, gratitude, and grace. It achieved commercial success and critical acclaim, reaching number-one on the Billboard World Albums chart. Its single 'Essence' featuring Tems became the first Nigerian song to chart on the Billboard Hot 100.

Chapters & takeaways4
  1. 0:58
    The Core Is Percussion

    Local African percussion isn’t colour — it’s the foundation.

  2. 3:05
    Tempo As Tension

    Mid-tempo doesn’t mean low stakes — it means every snare hit has weight.

  3. 5:04
    Themes As Texture

    Grace and goodwill aren’t moods — they’re compositional choices: space, restraint, repetition.

  4. 7:21
    Global Reach, Local Grammar

    Billboard success came from clarity — not compromise.

Running order14
  1. 01
    Reckless3:53
  2. 02
    Ginger3:16
  3. 03
    Longtime4:00

    Heard in The Rocky Horror Picture Show (1975)No Country for Old Men (2007)

  4. 04
    Mighty Wine3:38
  5. 05
    Blessed4:23
  6. 06
    Smile4:12
  7. 07
    Piece of Me3:17
  8. 08
    No Stress3:23
  9. 09
    True Love4:07

    Heard in Gone with the Wind (1939)

  10. 10
    Sweet One4:11
  11. 11
    Essence4:08
  12. 12
    Roma3:00
  13. 13
    Gyrate3:14
  14. 14
    Grace3:23

Film placements are the ones described in each film's own entry, so the list is partial rather than complete.

Worth your time?

Yes. Hear the whole thing.

4.5/ 5
What works
  • percussive core
  • mid-tempo tension
  • themes-as-texture
  • global reach with local grammar
What does not
  • fast tempos
  • sparse minimalism
  • genre-purist rigidity
Hear it if
  • people who listen to rhythm before melody
  • those tired of either 'world music' exoticism or homogenised pop
Skip it if
  • listeners who need lyrical density as the main event
  • listeners who need instrumental virtuosity as the main event
The written brief1 min read

What the record is and where it came from

Wizkid’s fourth studio album. Released 30 October 2020 after postponement from 15 October due to the End SARS protests.

How it sounds, and how it was made

Mid-tempo production. Rich, local African percussions form the core. Casually Auto-Tuned melodies. Meticulously complex beats. R&B-focused, dancehall-reminiscent aesthetic. A fusion of Afrobeats and R&B.

What lands

The percussive core lands first — layered shakers, talking drums, hand-played patterns that breathe with space. ‘Essence’ lands as a slow-burn invitation, not a climax.

What does not

It does not chase high energy or maximalist arrangements. It avoids fast tempos, sparse minimalism, or genre-purist rigidity.

The ideas inside it

Love, focus, goodwill, gratitude, grace. A balance between cultural rootedness and global pop appeal.

Who should hear it, and who should not

People who listen to rhythm before melody. Those tired of either ‘world music’ exoticism or homogenised pop. Not for listeners who need lyrical density or instrumental virtuosity as the main event.

Is it worth your time

Yes — if you want pop that moves without rushing, grounded in West African rhythm but built for global rooms.

Same genre · Afrobeat & Latin4 of 31
10:16
Twice as TallBurna Boy · 2020Twice as Tall is Burna Boy’s fifth studio album, released on 14 August 2020. It was recorded mainly in Ahoada, Nigeria during the 2020 pandemic. Burna Boy, Diddy and Bose Ogulu served as executive producers. Telz was the primary producer, with additional production from Rexxie, Timbaland and DJDS. Diddy provided spoken intros, including on 'Alarm Clock'. 'Bebo' was produced by Rexxie and addresses authenticity. 'Wonderful' and 'Onyeka' were produced by Telz and recorded in Nigerian pidgin and Yoruba. The album debuted at number one on the Billboard World Albums Chart and won the Grammy Award for Best Global Music Album at the 63rd Annual Grammy Awards.
13:00
Remain in LightTalking Heads · 1980Made across studios in Nassau and New York with producer Brian Eno in mid-1980, Remain in Light grew out of instrumental jams built on African polyrhythm rather than finished songs, with David Byrne adding scattered, half-improvised lyrics only once the band returned to the United States. Extra musicians, a struggling frontman and a near-collapse in the writing process all shaped a record now widely treated as the band's finest hour.
13:00
Expensive ShitFela Kuti · 1975Recorded in 1975 out of the Kalakuta Republic compound, Expensive Shit compresses Fela Kuti's long standoff with Nigeria's police into two extended Africa '70 tracks: a title piece built from a real, absurd arrest, and Water No Get Enemy's gentler appeal to a Yoruba proverb about nature's staying power. Short in length, it is unusually complete for a Kuti record.
13:00
Fela's London SceneFela Kuti, Nigeria 70 · 1971Made on tour in London rather than at home in Lagos, Fela's London Scene pairs Fela Kuti and Nigeria 70 with a second drummer, Ginger Baker, for five extended tracks built on horn riffs and dense percussion. Lighter on political narrative than Kuti's mid-seventies work, it is best heard as the sound of a band finding the architecture it would spend the rest of the decade refining.
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