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Disco, funk & soul

Greatest Hits

This isn’t nostalgia. It’s a working manual for singing love like it matters.

Worth your time?4.5/5Yes.Hear the whole thing.What works, what does not, who it is for ↓
10:35in productionCh. 1 · What It Is/ 10:35 · ceiling 15 min
4 chapters · 10:35Ceiling 15:00

The brief is written and checked. The video joins this page when it is cut.4 chapters · 1 min read · 10:35 planned

Read the brief

A definitive, no-frills distillation of Al Green’s Memphis soul peak — precise, warm, and deeply rhythmic.

Chapters & takeaways4
  1. 1:15
    What It Is

    It is a compilation — not a studio album — built from Green’s Memphis soul peak.

  2. 3:06
    How It Was Made

    Willie Mitchell and the Hi Rhythm Section shaped its sound — tight, warm, unhurried.

  3. 5:02

    ‘Let’s Stay Together’ is here — Green’s first number one on both Billboard charts.

  4. 6:43
    What It Leaves Out

    It may contain new material or first-album appearances — but this version does not.

1 more chapterFewer chapters
Running order10
  1. 01
    Tired of Being Alone2:50
  2. 02
    Call Me (Come Back Home)3:03
  3. 03
    I’m Still in Love With You3:12

    Heard in Your Cheatin' Heart (1964)

  4. 04
    Here I Am (Come and Take Me)3:09
  5. 05
    How Can You Mend a Broken Heart6:21

    Heard in Notting Hill (1999)

  6. 06
    Let’s Stay Together4:45

    Heard in How to Lose a Guy in 10 Days (2003)Jersey Girl (2004)

  7. 07
    I Can’t Get Next to You3:42

    Heard in Standing in the Shadows of Motown (2002)

  8. 08
    You Ought to Be With Me3:15
  9. 09
    Look What You Done for Me3:04
  10. 10
    Let’s Get Married4:20

Film placements are the ones described in each film's own entry, so the list is partial rather than complete.

Worth your time?

Yes. Hear the whole thing.

4.5/ 5
What works
  • let's stay together
  • how can you mend a broken heart
  • i'm still in love with you
What does not
  • love and happiness
  • simply beautiful
  • what a wonderful thing love is
  • take me to the river
Hear it if
  • anyone who wants to hear how soul singing works as craft, not just charisma
Skip it if
  • those seeking unreleased takes, alternate mixes, or deep cuts
Who should hear it, and who should skipHide who it is for
The written brief1 min read

What the record is and where it came from

A 1975 compilation album collecting Al Green’s commercially successful singles from his Memphis soul period, made with producer Willie Mitchell and the Hi Rhythm Section.

How it sounds, and how it was made

The record sounds like Memphis soul at its most controlled and humid: tight Hi Rhythm Section grooves, Willie Mitchell’s production leaving space for Al Green’s voice to curl and slide, reverb held close, bass lines walking with quiet insistence, horns punching in clean and brief. It was made in the same room and with the same players that defined Green’s peak — no studio tricks, no overdubs beyond what the band laid down live.

What lands

‘Let’s Stay Together’ lands with its full authority: the opening guitar figure, the locked-in groove, Green’s voice both tender and unyielding. ‘How Can You Mend a Broken Heart’ lands with its extended, unhurried arc — six minutes of slow-burn ache, anchored by bass and space.

What does not

It does not include ‘Love and Happiness’, ‘Simply Beautiful’, ‘What a Wonderful Thing Love Is’, or ‘Take Me to the River’ — all cited as major hits from the same era but absent from this running order.

The ideas inside it

Devotion as discipline. Love as a vow you keep in rhythm. Intimacy as something you build note by note, not declare.

Who should hear it, and who should not

Anyone who wants to hear how soul singing works as craft, not just charisma. Not for those seeking unreleased takes, alternate mixes, or deep cuts — this is the front door, not the archive.

Is it worth your time

Yes. It is the shortest, clearest route into Green’s defining sound — not a retrospective, but a functional distillation.

Same genre · Disco, funk & soul4 of 142
11:02
Diamond LifeSade · 1984Diamond Life is Sade’s debut studio album, recorded in six weeks at Power Plant Studios in London in 1983. Fifteen songs were written collectively by the band—except 'Smooth Operator', co-written solely by Sade Adu and Ray St. John—and produced by Robin Millar. The band developed the album’s musical direction collaboratively, rehearsing each song in detail before recording. The album blends soul, jazz, and sophisti-pop, with lyrics focused on love; its instrumentation includes prominent basslines, smooth drums, subtle guitar, brass, and keyboards. Specific recording details include using a real piano and Fender Rhodes painstakingly synced, manual mixing for 'Cherry Pie' with six people at the desk simultaneously, and Adu composing 'When Am I Going to Make a Living' on a cleaning ticket during financial hardship. The album opens with 'Smooth Operator' and closes with a cover of Timmy Thomas’s 'Why Can't We Live Together'.
10:49
I’m Still in Love With YouAl Green · 1972A tightly arranged, dry-sounding Memphis soul record built on repetition, restraint, and vocal intimacy.
10:37
Can’t Get EnoughBarry White · 1974Can’t Get Enough (1974) is Barry White’s breakthrough album — defined by two signature hits: “Can’t Get Enough of Your Love, Babe”, his first US number one on the Billboard Hot 100, and “You’re the First, the Last, My Everything”, which topped the UK charts.
11:16
Let’s Stay TogetherAl Green · 1972Al Green’s Let’s Stay Together (1972) is his fourth studio album, recorded at Royal Recording Studio in Memphis, Tennessee, and produced by Willie Mitchell. It launched his classic period, yielded his first number-one pop and R&B hit, and became his first gold-certified album. The Hi Rhythm Section, horn ensemble, and tightly arranged background vocals define its sound — precise, warm, and unhurried. It is soul music as craft, not spectacle.
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