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Hip-hop · Jazz

The Sun’s Tirade

A jazzy, upbeat record about being stuck inside your own head — and why that’s where the music has to live.

Worth your time?4/5Yes.Hear the whole thing.What works, what does not, who it is for ↓
10:01in productionCh. 1 · Made in crisis/ 10:01 · ceiling 15 min
4 chapters · 10:01Ceiling 15:00

The brief is written and checked. The video joins this page when it is cut.4 chapters · 1 min read · 10:01 planned

Read the brief

The Sun's Tirade is Isaiah Rashad's debut studio album, released on September 2, 2016. It was recorded during a period of personal struggle with depression and addiction. Its production draws from hip-hop, trap, trip hop, soul, and jazz. It is a loose concept album with reflective, conscious themes. It debuted at number 17 on the US Billboard 200, selling 19,000 copies in its first week.

Chapters & takeaways4
  1. 1:11
    Made in crisis

    It is shaped by addiction and depression — not as metaphors, but as conditions that define its pacing, repetition, and vocal delivery.

  2. 2:48
    Jazz and trap in the same room

    Its sound is built from jazz harmony, trap rhythm, soul texture, and southern hip-hop cadence — not blended, but stacked.

  3. 4:08
    Loose, not vague

    It is a loose concept album — ideas recur, fracture, reappear — but never resolve into thesis or catharsis.

  4. 6:25
    Critical and commercial, unsoftened

    It landed commercially and critically without smoothing its edges — proof that reflective hip-hop can move units without compromise.

1 more chapterFewer chapters
Running order17
  1. 01
    where u at?0:44
  2. 02
    4r Da Squaw3:53
  3. 03
    Free Lunch3:12

    Heard in The War on Kids (2009)

  4. 04
    Rope // rosegold4:44
  5. 05
    Wat’s Wrong5:31
  6. 06
    Park2:53
  7. 07
    Bday3:53
  8. 08
    Silkk Da Shocka2:46
  9. 09
    Tity and Dolla4:58
  10. 10
    Stuck in the Mud7:03

    Heard in Alien Resurrection (1997)

  11. 11
    A lot3:26

    Heard in The Rocky Horror Picture Show (1975)

  12. 12
    AA3:30
  13. 13
    Dressed Like Rappers3:26
  14. 14
    Don’t Matter2:57

    Heard in Mankatha

  15. 15
    Brenda4:10
  16. 16
    by george (outro)3:18
  17. 17
    Find a Topic (homies begged)2:48

Film placements are the ones described in each film's own entry, so the list is partial rather than complete.

Worth your time?

Yes. Hear the whole thing.

4/ 5
What works
  • its jazzy, upbeat sonic palette
  • its reflective, conscious tone
  • its loose conceptual framing
  • its production diversity
What does not
  • avoid repetition
  • resolve its central tension
  • prioritise melody over atmosphere
Hear it if
  • listeners who value interiority over exposition
  • fans of layered, textural hip-hop production
Skip it if
  • listeners seeking narrative closure
  • those who prefer tightly structured songwriting
Who should hear it, and who should skipHide who it is for
The written brief1 min read

What the record is and where it came from

The Sun’s Tirade is Isaiah Rashad’s debut studio album. It was recorded during a period in which Rashad experienced struggles with depression and addiction. He completed and turned it in by August 30, 2015.

How it sounds, and how it was made

The album is much more jazzy and upbeat than Cilvia Demo. Its production draws from hip-hop, trap, trip hop, soul, and jazz. It incorporates stylistic and production elements of southern hip-hop, jazz, neo soul, trap, and progressive hip-hop. Producers include Mike Will Made It, D. Sanders, Cam O’bi, J. LBS, The Antydote and Chris Calor.

What lands

The reflective tone lands. The jazzy, upbeat sonic palette lands. The loose concept structure lands. The production diversity lands.

What does not

It does not avoid repetition across its 17-track runtime. It does not simplify its thematic weight into resolution. It does not foreground melody over texture or mood.

The ideas inside it

The album is a loose concept album. It is characterised by personal themes: substance abuse, depression, and Rashad’s personal struggles with alcohol and Xanax addiction. It features a strongly reflective and conscious tone.

Who should hear it, and who should not

People who want hip-hop that foregrounds internal state over narrative arc should hear it. People who expect linear storytelling or polished hooks should not.

Is it worth your time

Yes. It debuted at number 17 on the US Billboard 200, selling 19,000 copies in its first week. It was released on September 2, 2016, to widespread critical acclaim.

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9:47
My LifeMary J. Blige · 1994My Life is a record built from the inside out: fourteen lyrics written by Blige during clinical depression, addiction, and an abusive relationship with K-Ci Hailey; Chucky Thompson hired last-minute after prior producers raised fees; Sean Combs shifting direction after hearing Thompson’s first track; Prince Charles Alexander joining late to engineer the cover of 'I'm Going Down'; The Notorious B.I.G.’s verse cut from 'K. Murray Interlude' over parental advisory concerns and replaced by Keith Murray. Its sound is rooted in soul sampling—Curtis Mayfield, Al Green, Marvin Gaye—and its structure reflects real-time negotiation over voice, visibility, and authorship. It is not a cultural artifact frozen in time. It is a living document of process.
10:03
RecoveryEminem · 2010Recovery is a 2010 hip-hop album recorded from 2009 to 2010. It replaced the abandoned Relapse 2 project after Eminem scrapped most of its material and started over with new producers. It was announced via Twitter on April 14, 2010, and released on June 18.
9:59
Get Rich or Die Tryin’50 Cent · 2003Get Rich or Die Tryin’ is 50 Cent’s 2003 debut studio album, executive-produced by Eminem and Dr. Dre to fuse gangsta rap and R&B. It features production by Mike Elizondo, Sha Money XL, Mr. Porter, Rockwilder, Dirty Swift, and Megahertz. Guest appearances include Eminem, Young Buck, Nate Dogg, Lloyd Banks, and Tony Yayo. 'In da Club' was one of seven tracks recorded with Dr. Dre in five days. 'Back Down' repurposed an unused instrumental from Rakim’s unreleased Oh My God. The album debuted at #1 on the Billboard 200 with 872,000 copies sold in four days. It spawned two Billboard Hot 100 number-one singles: 'In da Club' and '21 Questions' (featuring Nate Dogg). Rolling Stone noted its 'dark synth grooves, buzzy keyboards and a persistently funky bounce'. The Source highlighted 'In da Club’s' 'blaring horns, funky organs, guitar riffs and sparse hand claps'. It received Multiple Platinum certification by the RIAA.
2:12
Return to the 36 Chambers: The Dirty VersionOl' Dirty Bastard · 1995Ol' Dirty Bastard's 1995 solo debut arrived after Wu-Tang Clan's first album and Method Man's Tical. RZA handles much of the production, with contributions from ODB, True Master and 4th Disciple. The wider Clan remains present through guest appearances, even as the lead performer claims his own unruly space.
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