
Rock ’n Soul
A foundational soul record defined by vocal command, rhythmic tension, and theological gravity — not studio craft.
Two thousand years of a sect that became the West's default setting.

A foundational soul record defined by vocal command, rhythmic tension, and theological gravity — not studio craft.

A lean, writer-led country record — recorded fast, written tighter, released before myth could set in.

Illinois is a tightly wound studio artefact—self-recorded, self-performed, self-constrained. Its power lies in how much it builds from so little: cheap mics, narrow bandwidth, and total solitude. It is not about Illinois. It is about what one person can assemble when they treat geography as grammar, not gospel.

A live gospel album recorded over two nights in a Los Angeles Baptist church in January 1972, featuring Aretha Franklin, Rev. James Cleveland, and the Southern California Community Choir. Piano, choir, claps, stomps, and Franklin’s voice — unvarnished, unrehearsed, unseparated from the room. No studio polish. No overdubs except one track moved for vinyl length. Reinterprets gospel standards — including Mahalia Jackson’s 'How I Got Over' — as living tradition, not museum piece. Filmed for a concert film released 46 years later.