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Mysticism

Direct experience of the divine, and the institutions that distrust it.

4
in music
11:01
average
44 min
in total
11
across the network
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9:56

Gris-Gris

Dr. John, the Night Tripper · 1968

Gris-Gris is Dr. John’s 1968 debut album, produced by Harold Battiste at Gold Star Studios in Los Angeles. It introduced his Dr. John persona—a voodoo-inspired frontman—and fused traditional New Orleans R&B with psychedelia. Though recorded in California, it featured numerous native New Orleans musicians. The sessions occurred under unusual circumstances: Dr. John secured studio time originally booked for Sonny & Cher due to an impending deadline and lack of a prepared lead singer. The album’s personnel included a cast of New Orleans players credited with elaborate, ritualistic titles, and its sound was described in original liner notes as steeped in bayou mysticism, voodoo chants, and studio experimentation rooted in post-Spector LA techniques. Initial commercial reception was poor—failing to chart in the US and UK—but later critical reassessment hailed it as a psychedelic landmark and one of the most enduring recordings of its era.

10:26

Triangle

The Beau Brummels · 1967

Triangle is the Beau Brummels’ fourth studio album, released in July 1967 and produced by Lenny Waronker. It marks their first collaboration between vocalist Sal Valentino and guitarist Ron Elliott as co-writers. Recorded by a trio—Valentino, Elliott, and Ron Meagher—after the departure of Don Irving and John Petersen, and during Meagher’s exit to Army Reserves, the album embraces psychedelic musical style, fantasy-themed lyrics, and surreal characters. Session musicians including James Burton, Jim Gordon, Carol Kaye, and Van Dyke Parks (on harpsichord for 'Magic Hollow') contributed. Arrangements feature strings, brass, woodwinds, harpsichord, and unique percussion. Ron Elliott described the album as 'ethereal, mystic, and mysterious', reflecting the drug culture of 1967. Though commercially modest, it received critical acclaim and later gained recognition as a cult classic.

13:08

No Other

Gene Clark · 1974

No Other is Gene Clark’s 1974 Asylum Records album, produced by Thomas Jefferson Kaye in Los Angeles. Thirteen or fourteen songs were demoed acoustically; nine were recorded with a large ensemble of elite session musicians — including members of The Section and the Allman Brothers Band — and backing singers. Kaye’s production features intricate vocal harmonies and heavily overdubbed, vertiginous arrangements intended as his 'answer to Brian Wilson and Phil Spector'. The title track has a pronounced R&B/funk feel, often attributed to Sly Stone’s presence. Clark composed much of the album while gazing at the Pacific Ocean from his home’s picture window. Though critics praised its ambition and unconventional arrangements — which anticipated later innovations by Fleetwood Mac members — the album stalled at No. 144 on the Billboard chart due to high production costs (over $100,000), minimal promotion, and its demanding sonic density. Its legacy grew over time, culminating in a 2013 tribute performance and a 2019 remastered/remixed reissue.