Electric Circus
Electric Circus is a studio document — not a manifesto, not a victory lap, but a working log of what happens when hip hop stops defending its borders and starts wiring them for feedback.
Accumulation with a taxonomy.
Electric Circus is a studio document — not a manifesto, not a victory lap, but a working log of what happens when hip hop stops defending its borders and starts wiring them for feedback.
A Rainbow in Curved Air is a solo studio construction: keyboard and percussion overdubs on the A-side, saxophone drone and tape manipulation on the B-side. Made in 1968 on one of CBS’s first eight-track recorders. It established repetition, delay, and modal layering as core tools for electronic composition — not as texture, but as architecture.
A studio recording of Verdi’s Aida, made in 1989. Contains all vocal and orchestral numbers across four acts. Omits Verdi’s rejected overture. No source material describes performers, conductor, recording venue, or engineering choices.
A low, dark opera built by deleting violins — and a Western fantasy dressed as ancient ritual.
A technically assured, narratively precise soundtrack built for mass appeal and cinematic utility. It delivers exactly what it promises: songs that advance plot, underscore emotion, and vanish from memory once the credits roll.