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Editing

Where the film is actually made.

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10:35

Ege Bamyasi

Can · 1972

Ege Bamyasi is Can’s third studio album, recorded in early 1972 at their newly established Inner Space Studio in Weilerswist — their first album made there — under intense time pressure to meet a June deadline. The band began with 'Spoon', then scrambled to complete material: 'Sing Swan Song', 'One More Night', and 'Pinch' were finished and edited by the day before the deadline, while 'Soup' emerged from an unedited, improvised ten-minute session that same afternoon. Karoli recorded acoustic guitar for 'Sing Swan Song' outdoors to escape drum bleed, and Schmidt and Suzuki’s daily chess games reportedly disrupted workflow. Czukay and Karoli handled editing, and the album incorporated previously released singles to fill out the tracklist. The new studio environment softened the drums and sharpened instrumental separation, and Suzuki’s pidgin English vocals contributed a distinctive textural element. Critics later praised its tight, danceable fusion of experimental music, avant-funk, and electronic sound — calling it one of Can’s most focused and tense records.

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8:58

Glassworks

Philip Glass · 1982

Glassworks is a six-movement chamber work Philip Glass wrote for the recording studio after his large concert and stage pieces, released by CBS in 1982 on LP and on cassette, each with its own mix. It was meant to bring his music to a wider audience, and it did: the album sold well and made his name widely known.

2:00

20 Golden Greats

Buddy Holly, The Crickets · 1978

20 Golden Greats was first issued in Britain in 1978, collecting recordings associated with Buddy Holly and the Crickets from 1956–58. It also circulated as Buddy Holly Lives. The release date belongs to the retrospective, not to a newly assembled performing group.

2:05

808s & Heartbreak

Kanye West · 2008

Released in 2008, 808s & Heartbreak followed the death of Kanye West's mother and the end of his engagement. His fourth studio album shifts much of its emphasis from rapping to singing. That change makes the handling of the voice the central question of the record.

2:10

A Nod Is As Good As a Wink... to a Blind Horse

Faces · 1971

Faces' third album was their second release of 1971. Glyn Johns shared production duties, helping shape a programme shorter and more concentrated than its predecessors. Rod Stewart's growing solo profile is part of the context, but Ronnie Lane's three lead vocals make the group's broader identity essential.