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Electric vehicles

The car, rebuilt around a different bottleneck.

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10:10

Kontakte

Karlheinz Stockhausen · 1960

Kontakte is a 4-channel electronic work realized 1958–60 at the WDR studio in Cologne with Gottfried Michael Koenig. It exists in two versions: electronic-only (Nr. 12) and electroacoustic with piano and percussion (Nr. 12+1⁄2). Its title refers to contacts between sound domains, between self-sufficient moments, and between forms of spatial movement. It realises total serialism by bringing timbre, pitch, intensity, and duration under single control—and is the last of Stockhausen’s tape pieces where serial proportions shape more than broad form. Its central passage traces a structural descent: pitch becomes pulse, pulse becomes beat, beat becomes tone. Spatial design advances beyond Gesang der Jünglinge using four-channel diffusion, loudspeakers at square corners, and a rotation table. The score is highly sectionalized, reflecting its moment-based architecture.

10:47

Violator

Depeche Mode · 1990

Violator is Depeche Mode’s 1990 album, co-produced by the band and Flood, recorded in mid-1989 across Milan, Gjerlev, and London, and mixed in London by François Kevorkian.

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8:58

Glassworks

Philip Glass · 1982

Glassworks is a six-movement chamber work Philip Glass wrote for the recording studio after his large concert and stage pieces, released by CBS in 1982 on LP and on cassette, each with its own mix. It was meant to bring his music to a wider audience, and it did: the album sold well and made his name widely known.

2:00

20 Golden Greats

Buddy Holly, The Crickets · 1978

20 Golden Greats was first issued in Britain in 1978, collecting recordings associated with Buddy Holly and the Crickets from 1956–58. It also circulated as Buddy Holly Lives. The release date belongs to the retrospective, not to a newly assembled performing group.

2:05

808s & Heartbreak

Kanye West · 2008

Released in 2008, 808s & Heartbreak followed the death of Kanye West's mother and the end of his engagement. His fourth studio album shifts much of its emphasis from rapping to singing. That change makes the handling of the voice the central question of the record.

2:10

A Nod Is As Good As a Wink... to a Blind Horse

Faces · 1971

Faces' third album was their second release of 1971. Glyn Johns shared production duties, helping shape a programme shorter and more concentrated than its predecessors. Rod Stewart's growing solo profile is part of the context, but Ronnie Lane's three lead vocals make the group's broader identity essential.