Peter Gabriel
Peter Gabriel’s 1977 solo debut is a document of return—not reinvention. It bears the marks of a learning period: piano lessons, songwriting with Martin Hall, demos cut by end-1975. Recorded in Toronto with Bob Ezrin, it launched a series of four untitled albums, all ‘Peter Gabriel’, all Hipgnosis-designed. ‘Solsbury Hill’ anchors the record in place and autobiography—Solsbury Hill in Somerset. The rest floats, unmoored. No rhythm section dominates. No signature texture emerges. It is not cohesive. It is not polished. It is Gabriel, listening to himself again.