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Vinyl

A format that was obsolete and then was not.

2
in music
10:05
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20 min
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10:47

One Dozen Berrys

Chuck Berry · 1958

The source contains zero factual reference to 'One Dozen Berrys'. No detail about its existence, content, creation, or context appears anywhere in the material. Therefore, no editorial claim about the record can be supported.

9:23

The Eminent Jay Jay Johnson, Volume 1

Jay Jay Johnson · 1955

The record 'The Eminent Jay Jay Johnson, Volume 1' (1955) is not substantiated by any of the provided sources. No detail about its sound, making, personnel, release, or cultural placement is verified. Its inclusion here rests entirely on external knowledge — which this brief forbids. Therefore, the record remains undocumented, unlocatable, and unsoundable within the constraints of the material.

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8:58

Glassworks

Philip Glass · 1982

Glassworks is a six-movement chamber work Philip Glass wrote for the recording studio after his large concert and stage pieces, released by CBS in 1982 on LP and on cassette, each with its own mix. It was meant to bring his music to a wider audience, and it did: the album sold well and made his name widely known.

2:00

20 Golden Greats

Buddy Holly, The Crickets · 1978

20 Golden Greats was first issued in Britain in 1978, collecting recordings associated with Buddy Holly and the Crickets from 1956–58. It also circulated as Buddy Holly Lives. The release date belongs to the retrospective, not to a newly assembled performing group.

2:05

808s & Heartbreak

Kanye West · 2008

Released in 2008, 808s & Heartbreak followed the death of Kanye West's mother and the end of his engagement. His fourth studio album shifts much of its emphasis from rapping to singing. That change makes the handling of the voice the central question of the record.

2:10

A Nod Is As Good As a Wink... to a Blind Horse

Faces · 1971

Faces' third album was their second release of 1971. Glyn Johns shared production duties, helping shape a programme shorter and more concentrated than its predecessors. Rod Stewart's growing solo profile is part of the context, but Ronnie Lane's three lead vocals make the group's broader identity essential.