musicbriefs
Topic

Mythology

The stories a culture tells to explain itself to itself.

1
in music
10:23
average
10 min
in total
32
across the network
Mythology across the network →
All briefs1
video still
10:23

Funkentelechy vs. the Placebo Syndrome

Parliament · 1977

Funkentelechy vs. the Placebo Syndrome is Parliament’s sixth studio album, released November 28, 1977, on Casablanca Records. It is a loose concept album set within the P-Funk mythology warning of the 'Placebo Syndrome' — consumerism and disco music, which George Clinton viewed as a crass commercialized variant of funk. The album features layered vocal performances, synthesizer-heavy arrangements (especially on 'Flash Light'), and collaborative guitar work across multiple tracks. 'Flash Light' became an R&B number one single, built around a prominent Minimoog bass line played by Bernie Worrell. The original vinyl release included a 22″×33″ poster of Sir Nose D'Voidoffunk and an 8-page comic book explaining the concept — both illustrated by Overton Loyd. Vocalists include George Clinton, Ray Davis, Glenn Goins, Garry Shider, Debbie Wright, Jeanette Washington, Lynn Mabry, Dawn Silva, Cordell Mosson, and Mallia Franklin (though Franklin is not listed on the liner notes). Guitarists include Michael Hampton, Glenn Goins, Garry Shider, and Phelps Collins (on 'Flash Light'). 'Sir Nose d'Voidoffunk (Pay Attention – B3M)' quotes 'Baa, Baa, Black Sheep' and 'Three Blind Mice', with altered lyrics referring to drug use.

More from music

All briefs →
video still
9:24

A Rainbow in Curved Air

Terry Riley · 1969

A Rainbow in Curved Air is a solo studio construction: keyboard and percussion overdubs on the A-side, saxophone drone and tape manipulation on the B-side. Made in 1968 on one of CBS’s first eight-track recorders. It established repetition, delay, and modal layering as core tools for electronic composition — not as texture, but as architecture.

video still
9:11

Aida

Giuseppe Verdi · 1989

A studio recording of Verdi’s Aida, made in 1989. Contains all vocal and orchestral numbers across four acts. Omits Verdi’s rejected overture. No source material describes performers, conductor, recording venue, or engineering choices.

video still
9:33

Akhnaten

Philip Glass · 1987

A low, dark opera built by deleting violins — and a Western fantasy dressed as ancient ritual.

video still
9:41

Aladdin

Alan Menken · 1992

A technically assured, narratively precise soundtrack built for mass appeal and cinematic utility. It delivers exactly what it promises: songs that advance plot, underscore emotion, and vanish from memory once the credits roll.